h a l f b a k e r y
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I'm thinking of gloves for both hands, with extensions on the ends of the fingers appropriate to the media being utilized.
For painting, brush-fingers.
For sketching, charcoal-fingers.
For carving, blade-fingers.
For sculpting, stylus-fingers.
The advantage the artgloves is the
enabling of the artiste to not be hindered by the limitations of a single creative interaction point between object and subject -- instead, there are TEN.
Artgloves are naturally ideally suited most likely to abstract/ expressionist/ stream-of-consciousness works over realist styles.
Rather than an event or a process, creation becomes a terpsichoreographic experience!
The donning of the glove.
[2 fries shy of a happy meal, Jun 20 2006]
Here's a version for eating
[normzone, Jun 20 2006]
Inspired by this fine idea. [baconbrain, Jun 21 2006]
For those of you without imagination.
[nihilo, Jun 22 2006]
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||I'm scared of picking my nose with a lino-cutter.
||I can't imagine why. Do you pick it abstractly?
||my sweet mother was a huge fan of the pre-raphaelites and I have a wonderful memory of her looking and touching real sketches in an Oxford museum, some years ago - she had to wear white gloves to handle them. bloody lovely memory!
||Po, that is a lovely memory. Thanks for the image.
||"I'm a tool-using primate." I prefer tools that I can hold on to.
||However, this gives me an idea that may not be worthy of a separate posting. Oh, what the heck . . . see link to Fingernail-ERS.
||i don't think you'd have enough leverage
for using either carving utencils or
charcoal. brushes and pencils would be
||this would require a whole new type of
technique be developed, and that could be
||Thanks, [nihilo]! Now I'm even more scared of picking it representationally.
||The pictures might help. SOMETHING has to.